![]() ![]() ![]() In terms of quality/price, the 55mm f/1.8 is simply THE best lens you can have to shoot videos with your Sony full-frame hybrid camera. a slightly softer bokeh) but not enough to justify the huge price difference. As for the Sony Zeiss FE 50mm f/1.4 Planar T*, it offers slightly better performance (e. What about the 50mm f/1.8? Although it’s sold at a very attractive price, its autofocus is really bad and the 55mm f:1.8 is definitely better in every respect, so it’s better to save money to buy it. The highlight of this 55mm f/1.8 is its sharpness, really impressive: the images you get with this lens are very sharp and rich in detail (it’s in the top 5 of ). Its autofocus is silent, fast and accurate, even in low light. It’s one of the lightest objectives of this ranking but also one of the least cumbersome, it can be carried everywhere easily. It has a superb quality of construction, with a matt black coating similar to that of the A7 housings and is resistant to dust and moisture. This focal range is mainly suitable for street photography, portraits and landscapes. One of the best-selling lenses for Sony full-format hybrids. That said, it’s a must-have if you’re looking for the perfect all-around lens, and it’s sold at an incredibly competitive price. The only downside is that the focal range doesn’t start at 24 mm and you’ll have to get used to the 28 mm. Image quality is excellent, it gives wonderful results thanks to its constant f/2.8 aperture, with a nice bokeh, and it even has good macro performances. Since it’s relatively small and compact it’s perfect for travel, it’s weather resistant (not weather sealed however…) and its built quality overall is good. If you’re looking for an upgrade to the kit lens or if you just want one lens for everything, this is the best all-around lens that can even replace a couple of prime lenses. Must-have video lenses for filming with the Sony A7R IV: Tamron 28-75mm F/2.8 Di III RXD Note: the product links in this article lead to Be aware that most affordable zoom lenses are not very bright, so you may need to work around their limitations or have to break your piggy bank. A 35-70 mm is perfect to get close-ups as well as scenery shots. If you are on a budget, or want to get as much room as possible for your shots without changing lenses, zoom lenses are a solid bet. 70 mm to 90 mm is usually a good range of focal length, but you may want to go beyond if you try to shoot remote locations. As for pictures, you may want to invest in either a telephoto lens, or a zoom lens. ![]() Landscapes and cityscape shots are perfect to set your characters in their environment. 25 mm to 35 mm is good for a versatile use, but you can also go below and go for a fisheye look for these extreme distorted close-ups. A wide angle lens is perfect for this use. For this setup, you need to be able to just grab your camera and start shooting. Run and gun is popular for vlogging, skateboard videos, or documentaries. If you have a consequent budget, we recommend you to have a look at anamorphic lenses, which will give you these beautiful lens flares and add to the overall feel. Some are pretty affordable, but the stabilized ones will be a tad more expensive. This focal length gives results close to the human vision, and are widely used in the industry. Don’t look further, you need a prime 50 mm lens. When we talk about cinematic looks, we mostly refer to this classic cinema feel, with little to no distortion. As for the rest, follow our guidelines below! Finally, stabilized lenses, despite being more expensive, will always be better for a versatile use. Having the brightest lens possible is a big plus for this sweet shallow focus. But generally, videographers may want to have fast and quiet autofocus, as it will take out the need for an expensive follow-focus on moving subjects. The rules of video making are only there to be transgressed. Which lens should you buy for your video projects ? We prepared for you some tips on the best lenses to get depending on the kind of shots you want to achieve.Įven if some lenses are branded for a specific use in video, you can actually use pretty much any lens for your shootings, even some old school prime lenses. The Sony A7R IV is part of these cameras that are perfect for video makers, if equipped with the right lens. $3,498.00 Buy on Amazon What is the best video lens for Sony A7R IV?ĭSLR and mirrorless camera have replaced most of the consumer video camera market. ![]()
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